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Is the entire agreement between Wingware and you, andsupersedes any other communications or advertising with respect to theSoftware Product; this EULA may be modified only by written agreementsigned by authorized representatives of you and Wingware.Unless otherwise agreed in writing, all disputes relating to thisEULA (excepting any dispute relating to intellectual property rights)shall be subject to final and binding arbitration in the State ofMassachusetts, in accordance with the Licensing Agreement ArbitrationRules of the American Arbitration Association, with the losing partypaying all costs of arbitration. Arbitration must be by a memberof the American Arbitration Association. If any dispute arisesunder this EULA, the prevailing party shall be reimbursed by theother party for any and all legal fees and costs associated therewith. GENERALIf any provision of this EULA is held invalid, the remainder of thisEULA shall continue in full force and effect.A waiver by either party of any term or condition of this EULAor any breach thereof, in any one instance, shall not waive such term orcondition or any subsequent breach thereof. OUTSIDE THE U.S.If you are located outside the U.S., then the provisions of this Sectionshall apply. Les parties aux présentes confirment leur volonté que cetteconvention de même que tous les documents y compris tout avis qui s'yrattache, soient redigés en langue anglaise. (translation: "The partiesconfirm that this EULA and all related documentation is and will bein the English language.") You are responsible for complying with anylocal laws in your jurisdiction which might impact your right to import,export or use the Software Product, and you represent that you havecomplied with any regulations or registration procedures required byapplicable law to make this license enforceable. TRADEMARKSThe following are trademarks or registered trademarks of Wingware:Wingware, the feather logo, Wing Python IDE, Wing Pro, Wing Personal,Wing 101, Wing IDE, Wing IDE 101, Wing IDE Personal, Wing IDE Professional,Wing IDE Pro, Wing Debugger, and "The Intelligent Development Environmentfor Python Programmers" CONTACT INFORMATIONIf you have any questions about this EULA, or if you want to contactWingware for any reason, please direct all correspondence to:Wingware, P.O. Box 400527, Cambridge, MA 02140-0006,United States of America or send email to info at wingware.com.

"size": 4, "shape": [ 48, 128 ], "total_size": 6144}*/// for convenience, these are extracted from metadata:data.dtype// "data.shape// (2) [48, 128]// data are loaded into a matching TypedArray in javascript if one exists, otherwise raw bytes are returned (there is no Float16Array, for instance). In this case the matching type is Int32Arraydata.value/*Int32Array(6144) [0, 0, 0, 2, 2, 2, 3, 1, 1, 7, 3, 5, 7, 8, 9, 21, 43, 38, 47, 8, 8, 7, 3, 6, 1, 7, 3, 7, 47, 94, 91, 99, 76, 81, 86, 112, 98, 103, 85, 100, 83, 122, 111, 123, 136, 129, 134, 164, 130, 164, 176, 191, 200, 211, 237, 260, 304, 198, 32, 9, 5, 2, 6, 5, 8, 6, 25, 219, 341, 275, 69, 11, 4, 5, 5, 45, 151, 154, 141, 146, 108, 107, 105, 113, 99, 101, 96, 84, 86, 77, 78, 107, 73, 80, 105, 65, 75, 79, 62, 31, …]*/// take a slice from 0:10 on axis 0, keeping all of axis 1:// (slicing is done through libhdf5 instead of in the javascript library - should be very efficient)data.slice([[0,10],[]])/*Int32Array(1280) [0, 0, 0, 2, 2, 2, 3, 1, 1, 7, 3, 5, 7, 8, 9, 21, 43, 38, 47, 8, 8, 7, 3, 6, 1, 7, 3, 7, 47, 94, 91, 99, 76, 81, 86, 112, 98, 103, 85, 100, 83, 122, 111, 123, 136, 129, 134, 164, 130, 164, 176, 191, 200, 211, 237, 260, 304, 198, 32, 9, 5, 2, 6, 5, 8, 6, 25, 219, 341, 275, 69, 11, 4, 5, 5, 45, 151, 154, 141, 146, 108, 107, 105, 113, 99, 101, 96, 84, 86, 77, 78, 107, 73, 80, 105, 65, 75, 79, 62, 31, …]*/// Convert to nested Array, with JSON-compatible elements:data.to_array()/*[ [ 0, 0, 0, 2, 2, 2, 3, 1, 1, 7, 3, 5, 7, 8, 9, 21, 43, 38, 47, 8, 8, 7, 3, 6, 1, 7, 3, 7, 47, 94, 91, 99, 76, 81, 86, 112, 98, 103, 85, 100, 83, 122, 111, 123, 136, 129, 134, 164, 130, 164, 176, 191, 200, 211, 237, 260, 304, 198, 32, 9, 5, 2, 6, 5, 8, 6, 25, 219, 341, 275, 69, 11, 4, 5, 5, 45, 151, 154, 141, 146, 108, 107, 105, 113, 99, 101, 96, 84, 86, 77, 78, 107, 73, 80, 105, 65, 75, 79, 62, 31, ... 28 more items ], [ 0, 0, 2, 2,

Sidelight panels Z: a significant amount of uncatalogued trim, framing, and other pieces are included in this group; the position of many of these pieces in the set will become clear during reconstruction: under no circumstances should any of this material be discarded until that time. 1. 9 light casement window, 30½” square, hinged; wooden glazing strips. 2. 12-light casement window, 48 ½” by 34½”, hinged on short side; wooden glazing strips. 3. 12-light casement window, 34½” by 29½”, wood glazing strips. 4. pair of board shutters, 22” by 48”. Window Schedule A. four on front, first floor; 4’-0” by 9’-6”, 12/20 cornice w/dentil; louvered shutters B. three on front, second floor 3’-6” by 5’-0”, 8/8; louvered shutters B1. one on front, second floor above entrance; 3’-0” by 5’-0”, 8/8 louvered shutters B2. one on right side, second floor 3’-6” by 5’-0”, 8/8; louvered shutters; “Mammy’s window” C. one on front, second floor on left 3’-0” by 4’-6”, 8/8 louvered shutters D. four on front, left wing 3’-0” by 5’-0”, 6/6 louvered shutters E. one on front, right wing 3’-0” by 4’-0”, 8/8 board/batten shutters F. one on right side, end of wing 3’-6” by 5”-0”, 8/8 louvered shutters G. one on right side, first floor under side porch, 4’-0” by 3’-11”, 12 pane, fixed sash, no shutters? H. one on right side, first floor, 3’-6” by 6’-6”, 12/16, louvered shutters J. one arched window on right side, second floor, N. one on front of kitchen, 2’-6” by 4’-0”, 6/6, board/batten shutters O. one on chimney end of kitchen, 2’-0” by 2’-8”, 4/4, board/batten shutters Notes 1. Darden Asbury Pyron, Southern Daughter: The Life of Margaret Mitchell (New York: Oxford University Press, 1991), 430, 479-480, 505. 2. Mark C. Carnes, “Hollywood History,” American Heritage (September 1995), 77. 3. Ibid., 479. 4. Quoted in Frank Daniel, “Mr. Kurtz at Least Achieved This One Note of Authenticity,” Atlanta Journal, 1 June 1959. 5. Pyron, 406. 6. See Eugene M. Mitchell, "Queer Place Names in Old Atlanta," Atlanta Historical Society Bulletin, I, # 5, April 1931. 7. See Annie Laurie Kurtz, Atlanta and the Old South: Paintings & Drawings by Wilbur G. Kurtz (Atlanta: American Lithograph, 1969). 8. Quoted in Pyron, 480. 9. Pyron, 479. 10. Ibid., 480. 11. See Cameron and Christman, The Art of Gone With the Wind (New York: 1984), 114-125. 12. Susan Myrick, White Columns in Hollywood: Reports from

Casing and trim f. center frame and trim g. right frame, casing and trim h. header trim above window, header missing 24. Window, end gable of right wing; 2’-0” by 2’-6”, 6-light fixed sash, 9-light shown on Forehand plans; not shown in film; intact except for muntins. 25. Window, end of right wing; 3’-0” by 4’-0”, 6/6; Forehand shows 3’-6” by 5’-0”, 8/8 at this location; does not appear in final film; frame, casing, and trim intact; sash intact except for minor muntin damage; louvered shutters attached, missing only 5 or 6 slats. 26. Window, chimney end of kitchen; visible in passing in one scene, appears to be 4-light sash on film, deeply recessed, no shutters; Forehand shows 2’-0” by 2’-0” 4¬light fixed sash with board and batten shutters; no elements identified. 27. Window, breezeway side of kitchen; clearly visible in one scene, appears to be 6/6 window without shutters, deeply recessed in “thick” walls of kitchen; Forehand shows 2’-6” by 4’-0” 6/6 at this location; no elements identified. 28. Door from breezeway into kitchen; dimension and detailing indeterminate; left jamb visible briefly on film: a. left jamb, casing; and trim; hinge stile of door still attached; sill nailed to frame, forcing door open b. right jamb and casing; no trim c. header, casing, and trim Columns A: four columns on porch, left wing; 9” boxed columns, 8’-8” high; 17½” diameter square capital with dentil; all columns intact; two columns el-shaped for installation at outside corners of porch; ghosts of railing present. B: seven columns, three pilasters on porch and breezeway, right wing; 9” boxed columns, 8’ high; 21” capitals, see Forehand detail on A 13; brick pier bases missing; two columns with capitals intact, two with capitals detached; three columns with no trim, ghosts only; note that detailing does not appear to have been identical on all of these columns; two pilasters not located. Note: The four large front columns, which were approximately 21’ tall, were constructed of brick and mortar. According to Herb Bridges, they were demolished and buried on the Culver City studio site, only to be unearthed during later construction on the site. Mr. Bridges has photographs of the later discovery of the column remains and has some brick that were retrieved at that time. The wooden column capitals, probably 3½’ square, have not been located and may have been destroyed along with the columns. Railing