Tubetech compressor

Author: c | 2025-04-24

I record old school soul music. My studio's vocal chain is currently: TubeTech MP1A preamp TubeTech CL1B compressor I'd like to build a portable 500 series lunchbox for traveling. What are the closest modules I can buy to get close to that TubeTech c Hi, I want to buy and use a tubetech multiband on 2bus because I don't like normal compression on 2bus but I don't like also nothing on 2bus. Is someone using a tubetech multiband compressor on 2bus like al Schmitt used it ? .

Tubetech CL1B Opto Compressor – Alto

Important Note: This is an upgrade path for existing owners of Tube-Tech Classic Channel. The standard purchase path is also available HERE.There’s no such thing as too much Tube-TechAll of Softube's exclusive, officially licensed Tube-Tech plug-ins in one bundle. New: Tube-Tech SMC 2B Multiband Compressor — fidelity & flexibility for your processing tasks Updated: Tube-Tech CL 1B Mk II and Tube-Tech Classic Channel Mk II Tube-Tech Equalizers Mk II — Pultec-style that’s perfect for timeless analog tone-shapingAn indispensable set of true-blue tools, Tube-Tech Complete Collection 2 gives you all Softube's exclusive, officially licensed TubeTech plug-ins.The latest in the series, SMC 2B Multiband Compressor, is an expert emulation of the renowned three-band opto comp. Not your typical channel strip, the updated Classic Channel Mk II delivers tasteful warmth and saturation for any sound source. You'll also get the passive tube-driven PE 1C and ME 1B Pultec-style equalizers. Last but certainly not least is the world-famous optical compressor CL 1B Mk II, which brings punchy analog sound to your productions.The collection represents the highest quality and versatility available for the modern studio. Or anywhere, for that matter.Softube & Tube-Tech: Making Modern ClassicsSoftube's partnership with Tube-Tech goes back to 2006, when they began work on the definitive plug-in representations of the Danish company's best and most highly prized analog hardware units. In 2018, Softube utilized their latest signal processing technology and released Mk II versions of CL 1B and Classic Channel. The super stunning highresolution graphics and additional features made the best even better.Never ones to rest on their laurels, Softube bring you the only officially licensed Tube-Tech SMC 2B Multiband Compressor plug-in, the new Tube-Tech Complete Collection 2, and additional updates to CL 1B Mk II.Improved Control Across the CollectionThe original Tube-Tech plug-ins were a smashing success. To improve the workflow of these popular tools, Softube have added modern features, like parallel blend and side-chain low cut for the CL 1B, a Generation Switch for easy access to the Mk I and Mk II versions of CL 1B (and Classic Channel), and stereo processing via linked or selectable Dual Mono operation for SMC 2B Multiband Compressor.The addition of mid/side processing opens Classic Channel up to serious applications of stereo-image management. Compress and EQ your kick and snare differently from your overheads for a wider or more compact drum mix. Or, when mastering, gently balance the vocal against the rest of the track by low cutting the detector circuit of the ‘mid’ portion of the signal and homing in on exactly what you need.Classic Channel: A Collection ExclusiveThe Tube-Tech Classic Channel combines both generations of the CL 1B optical compressor with the Generation Switch, plus PE 1C and ME 1B, two complementary tube-driven Passive equalizers.The CL 1B is a modern classic for a good reason. Across genres, it brings warmth through its tube stages, transparent operation on transients through its quick attack, and smooth, musical levelling due to the slow reset characteristics of its gain reduction element.With the equalizers, you can shape the sound of a track, a bus, or a whole mix within seconds. The highs sound smooth and gentle, the mid-range airy and focused, and the lows full and fat.What's Included NEW: SMC 2B Multiband Compressor Remarkable fidelity and extreme versatility. This three-band opto comp is the choice of top engineers, producers, studios, and mastering houses worldwide. It gives you flexibility and high fidelity for dynamic processing tasks, mix buses, and vocal, drum, and bass buses. CL 1B Mk IISoftube's CL 1B Mk II plug-in includes the legacy CL 1B compressor plus a total sonic remodel done with the latest signal processing technology. Just hit the Generation Switch to go from the sound of Mk I to the sound of Mk II. Whichever you choose, it will be perfect for hip hop, vocals, drums, and bass. Equalizers Mk II Tube-Tech equalizers are perfect for timeless analog toneshaping. This collection includes the classic PE 1C and ME 1B combined, plus legacy versions of each. Use them to give character and style to drums, synths, vocals, guitars, strings, bass, and more. Classic Channel Mk II Sotube's beloved, updated Tube-Tech Classic Channel combines both generations of the heroic CL 1B optical compressor, plus PE 1C and ME 1B, two complementary tube-driven passive equalizers.The addition of the Generation Switch means you can toggle between CL 1B Mk I and MK II with ease. Legacy ProductsTube-Tech Complete Collection 2 includes four legacy products:Tube-Tech CL 1B Mk I, Tube-Tech Classic Channel Mk 1, TubeTech PE 1C, and Tube-Tech ME 1B. Softube have included these discontinued legacy products to ensure your existing projects are safe when upgrading. Please note that some legacy products may be unsupported.Features Created in partnership with and endorsed by Tube-Tech NEW: Tube-Tech SMC 2B Multiband Compressor Updated: Tube-Tech CL 1B Mk II Updated: Tube-Tech Classic Channel Mk II Tube-Tech Equalizers Mk II A Generation Switch to toggle between the sound of the CL 1B versions while using the CL 1B Mk II and Classic Channel Mk II plug-ins Modern features, such as mid/side processing and, in the CL 1B, side-chain low-cut filters and parallel blend Console 1-ready: Tube-Tech CL 1B Mk II and Tube-Tech Equalizers Mk II work both as native plug-ins and in Console 1. Learn more about Console 1 Legacy plug-ins includedSystem Requirements macOS Big Sur 11, Monterey 12, Ventura 13 Windows 10 (64-bit), Windows 11 Softube account iLok account Computer with

Tubetech CL1B Opto Compressor – Alto Music

Best Free VST Plugins Just wanted to share with you guys some free plugins I found from Antress. Their plugins sound really good (especially the Fairchild and Tubetech Compressor Plugins). I suggest you guys check it out. Best of all, they are free! I've been using those compressors more than my URS Classic strip! They even did a Distressor plugin, freakin sweet!Antress Modern PluginsEnjoy Guys! Registered User Joined: Jan 2009 Posts: 630 🎧 15 years thanks thanks chris, I'll check them out. Can't beat free! Gear Addict Joined: Jun 2006 Posts: 301 🎧 15 years How they sounddddddd ????????????The GUI are visual candy...but... if they are free... can they sound good ???just a thought Lives for gear Joined: Nov 2006 Posts: 3,169 🎧 15 years Wow, no offense but old news my friend.I will not elaborate, the search function is there for that, but in keeping with the title of the thread I strongly recommend the Stillwell plugs. These truly rock. Lives for gear Joined: Jul 2006 Posts: 1,094 🎧 15 years Stillwell aren't free though. Blockfish rocks, and free. Lives for gear Joined: Nov 2006 Posts: 3,169 🎧 15 years Demo versions are full featured, just with a nag screen.This means free.But I am a huge fan of the digital fishphones. Lives for gear Joined: Jul 2006 Posts: 1,094 🎧 15 years The problem with the antress plugs, besides not sounding anything like the gear they look like. Is that they use a ton of processing. Not worth it to me, but ymmv. The ssl listen comp is cool for total compression destruction. Pianoverb is cool for haunting verb weirdness. Lives for gear Joined: Sep 2008 🎧 15 years yes, this is definitely a well-worn path here.. use the search.After auditioning a lot of free plugins & throwing most of them away, of the ones I've kept I find that I keep coming back to:Fish Filets- blockfish is pretty great for noisy, heavy-handed, gooey compression- spitfish is a damn good de-esserKjaerhus Audio- the whole "classic" lineup is pretty great, i use the comp every day and the modulation effects. I record old school soul music. My studio's vocal chain is currently: TubeTech MP1A preamp TubeTech CL1B compressor I'd like to build a portable 500 series lunchbox for traveling. What are the closest modules I can buy to get close to that TubeTech c

TubeTech CL1B Tube Optical Compressor - Reverb

Than the original versions. The tube-compressor (don't know its name anymore) is the best of the bunch, imho. The Modern Analoger is also a gem. Quote: Originally Posted by D. Rumble ➡️ +1 for the Kjaerhus plugins. I have a whole lot of Waves stuff, PSP stuff, URS stuff, etc etc, but I keep coming back to the Kjaerhus Classic Reverb and Compressor.d. Me too man, I got Waves, URS and PSP plugins but I mostly use Classic plugins when I work inside fruity loops.I actually used the fairchild Vst and it sounded really good with my setup, I was surprised! The Tubetech VST is good too. Of course, nowhere close to the real thing. + 1 On the Bootsy Plugins. Really good Registered User Joined: Feb 2009 Posts: 410 🎧 15 years Kjaerhus? Voxengo Analogflux Suite? So these Kjaerhus are good are they?That Kjaerhus Classic Delay could be handy if it sounds alright. I can never use default Cubase SX DelaysWhats the Kjaerhus 'Classic Reverb' like?- i'm looking at all these Voxengo stuff say the Voxengo Analogflux Suite.There are just soo many fake Analogue plugs around. are these actually any better than say the built in Cubase Magneto? Heartfelt you remided me that the RaPlugs are also available for free!These plugs absolutely rock. ReaComp is about as versatile as it gets and very transparent. If you can get your head around ReaFir it is an awesome plug imo!REAPER | ReaPlugs Lives for gear Joined: May 2006 Posts: 882 🎧 15 years Quote: Originally Posted by henge ➡️ Heartfelt you remided me that the RaPlugs are also available for free!These plugs absolutely rock. ReaComp is about as versatile as it gets and very transparent. If you can get your head around ReaFir it is an awesome plug imo!REAPER | ReaPlugs There's a Reaplug packadge out there that contains jesusonic plugs. It like 100 additional plugs. Some from stillwell, lOSER etc.. I'll see if i can find it... Gear Maniac Joined: Feb 2008 Posts: 213 🎧 15 years Quote: Originally Posted by echoclerk ➡️ So these Kjaerhus are good are they?That Two don't act the same way or sound similar. I would go so far as to say that to me the notion of a solid-state version of the LA-2A almost seems like a contradiction in terms. Both great units, no doubt, but pretty different. Lives for gear Joined: Oct 2006 Posts: 4,529 🎧 15 years I got a chance today to buy a used LA2A that is 2 years old for 1800.00. How good of a deal is this for one a couple of years old? Gear Maniac Joined: Oct 2005 Posts: 283 🎧 15 years What about the Demeter VTCL-2a? How does it compare? Kush Audio Joined: Oct 2004 Posts: 12,930 🎧 20 years +1 on the trakker, it's perhaps the best-sounding most-flexible comp anywhere. i also think you'd love the daking, it has more shimmer. both lean toward the clean but do not want for character, and both are near-universal in their utility.daking is FAST. trakker is a chameleon.gregoiredelubk. Quote: Originally Posted by woomanmoomin ➡️ paterno has expressed the view that the two don't act the same way or sound similar. I would go so far as to say that to me the notion of a solid-state version of the LA-2A almost seems like a contradiction in terms. Both great units, no doubt, but pretty different. Indeed. But that's what you get when you take out the valve noise of the old days out of the equation.B. Registered User Joined: Dec 2006 Posts: 377 🎧 15 years After reading all this I think I'm swaying towards the UA reissue, but I'll rent a Tubetech CL1-b and try it. As for the other alternatives, maybe the Cranesong. I always loved the STC-8 but the Tracker just has too many buttons I'll never use.I just need something to sit comfortably in the vocal chain and do a bit of pre-compression. Lives for gear Joined: Mar 2006 🎧 15 years A Summit DCL-200 is an awsome tube compressor. Definitely worth a listen Registered User Joined: Jul 2003 Posts: 4,659 🎧 20 years Reissued LA2A, ELOP, Tube-Tech CL1B,etc. I use the ATB.

TUBETECH SMC 2B MULTIBAND COMPRESSOR REVIEW

VM1 the upper midrange has something very C12-ish about it. Haven´t tested them extensively yet but I certainly like what I´ve heard so far.P.S. (13.9.07): Meanwhile I have done quite some tests and comparisons with various microphones and the different inputs. I generally can say that the sound gets somewhat "bigger" and even more relaxed and open sounding the lower the input impedance gets - which I honestly find paradox... However these differences vary a bit, depending on the mic used.I also compared it to a TubeTech MP1A and an Aphex 1100. It´s generally at least as appealing as the TubeTech in a musical way, whereas the Aphex is clearly faster and adds less colour. I haven´t any experience how the tracks would behave in a mix by now. Attached Thumbnails Registered User Joined: Nov 2006 Posts: 435 🎧 15 years thanks for your input mas.other opinions? Registered User Joined: Nov 2005 🎧 15 years Telefunken & Siemens mic pres The Siemens V276 from their Sitral series is a classic discrete solid state mic pre. Its very smooth, quiet, and the large Mu-Metal shielded transformers give it a nice vintage character. The V276 from Siemens and the TAB made V376 came out about the same time (mid 1960's) and were first generation solid state units designed to replace the great tube V76 which was also made by TAB. The Neumann V476 is a later unit from the mid-late 1970's which was designed as a substitute for the V276/V376. You will

Tubetech CL1B Opto Compressor Alto Music

Reduction and had a nice bit of hair, but easily overdid it I felt and maybe would benefit from Opto or vari mu instead of two linked FETs haha.Then again, when I re-tried the Silver Bullet on Neve setting with only a little bit of input rather than mixing with API and going hard, I really liked that direction too maybe just as much. I probably just need to play more with it.Styles pretty varies but mostly rnb / pop / edm / hip hop stuff, and outside of my own vox will sometimes work with a few vocalist collaborators who all sound good on an 87My setup / components available for chain besides the mics:-Treated bedroom/closetPre's / Eqs-Louder than Liftoff Silver Bullet-Focusrite ISA 110 LECompressors-Stam SA-76-Warm WA76 (with Revive Audio Mod)-Audioscape G Bus CompConverter-RME ADI 2 PRO FSOpen to all ideas into how to bring the most magic out of a vintage U87, particularly compressors in the chain.From what I've heard sounds great, looking at:Rack options:-Wes Audio Beta 76With-Audioscape Opto Comp or V Comp or Wes Audio Timbre or any other top built Opto or vari mu500 options:-Wes Audio Mimas With either-APA Leviathan-Opticom XLA-Wes Audio RheaCould always try and save for an original but wonder the point of spending 5-20k on something like a fet / Opto comp in 2022 lolThanks! Buy a TubeTech MEC1a, if you want a lush, creamy, “expensive”, thick yet open and classy sound.If you want a more forward, modern, yet smooth sound check out the Avedis MA5 followed by an eq of your choice (Avedis E27 or a Crane Song Insigna eq), and a Tree Audio Comp (that was the IC Bad Boy) or an hairball fet500 followed by an IGS LaOne.IF you want to use whatever preamps you have thenI’d definitely consider using the eq you already have to notch out some of the typical honk/resonances, then going to a Crane Song Trakker in vintage opto mode followed by a BAE 10DC for the last 2-3db’s max of GR, use the makeup gain of the 10DC. Finished results.Cheu sorry to say but i'd get a different mic - maybe that's just me though... Lives for gear Joined: Aug 2006 🎧 15 years Quote: Originally Posted by Deleted 98f2a1b ➡️ sorry to say but i'd get a different mic - maybe that's just me though... I love old U87s but I kind of agree with this. For a vocalist to sound great, he has to sound great through the mic itself and adding a compressor, as good as it is, is not IME going to take something from good to great.I'd rather have 2 or 3 great mics than a ton of outboard. I agree with people above. You see it allot here around.. People that aren't 100% satisfied with their vocal sound and then want to add things. You should start with the mic, replace it or add another mic. Once I found my "perfect" mic I actually felt that most HW was. I record old school soul music. My studio's vocal chain is currently: TubeTech MP1A preamp TubeTech CL1B compressor I'd like to build a portable 500 series lunchbox for traveling. What are the closest modules I can buy to get close to that TubeTech c

Myth: the Tubetech CL1B is a warm compressor. mixingtips

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