Tele party

Author: p | 2025-04-24

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Party Archives - Radio Tele boston

/ Off, 4 areas available Scene Change Detection (SCD) On / Off, 1 areas available Audio Detection On / Off AI Sound Classification Gunshot, Yell, Vehicle horn, Glass break AI Analytics AI Video Motion Detection, AI Face Detection,AI People Detection, AI Vehicle Detection,AI Non mask Detection (prior to V2.70), AI Occupancy Detection, AI Scene Change DetectionFor details : party applications are also available. Privacy Zone On / Off, Up to 32 zones available VIQS On / Off, Up to 8 zones available Image Stabilizer On / Off (Built-in gyro sensor) Camera Title (OSD) On / Off, Up to 40 characters (alphanumeric characters, marks) Lens COMPONENT SPECIFICATION Optical zoom 40x (Motorized zoom / Motorized Focus) Extra zoom Max.60x(40x-60x when resolution is 1280x720) Focal length 4.25 - 170 mm {5/32 inches - 6-11/16 inches} Angular Field of View [16 : 9 mode] Horizontal : 2.0° (TELE) – 65° (WIDE), Vertical : 1.2° (TELE) – 39° (WIDE)(TBD)[ 4 : 3 mode] Horizontal : 1.5° (TELE) – 51° (WIDE), Vertical : 1.2° (TELE) – 39° (WIDE)(TBD) Maximum Aperture Ratio 1 : 1.6 (WIDE) – 1 : 4.95 (TELE) Focus range 3.0 m {118-1/8 inches} –∞ Aperture range F1.6 - close DORI COMPONENT SPECIFICATION Detect (25ppm / 8ppf) Wide: 60.3 m / 197.8 ft, Tele: 2199.9 m / 7217.6 ft Observe (62.5ppm / 19ppf) Wide: 24.1 m / 79.1 ft , Tele: 880.0 m / 2887.1 ft Recognize (125ppm / 38ppf) Wide: 12.1 m / 39.6 ft, Tele: 440.0 m / 1443.5 ft Identify (250ppm / 76ppf) Wide: 6.0 m / 19.8 ft, Tele: 220.0 m / 721.8 ft System on Chip (SoC) COMPONENT SPECIFICATION System on Chip (SoC) Ambarella CV25m Adjusting Angle COMPONENT SPECIFICATION Adjusting Angle Horizontal : 360° Endless Panning, TILT : -20° to +90°, Yaw : 0° Pan /tilt COMPONENT SPECIFICATION Panning Features Specifications SD Cards Support EFFECTIVE IMAGE SENSOR PIXELS 20.68 Megapixels TOTAL IMAGE SENSOR PIXELS 21.14 Megapixels [1/2.3" BSI CMOS] LENS Focal Length 4.3 mm (Wide) — 180.6 mm (Tele) [35mm film equivalent] [24 mm (Wide) — 1008 mm (Tele)] F number F3.0 (Wide) - F6.8 (Tele) Lens Construction 11 groups 15 elements Optical Zoom 42x Focusing Range Normal: (Wide) 50 cm - ∞ (Tele) 200cm - ∞ Macro: 1.6cm - ∞ (Wide Only) Autofocus System TTL Autofocus ANTI-HANDSHAKE Optical Image Stabilizaton DIGITAL ZOOM 4x Digital Zoom (Combined Zoom: 168x) NUMBER OF RECORDING PIXELS Still Image (4:3) 20MP: 5184x3888, 10MP: 3648x2736, 5MP: 2592x1944, 3MP: 2048x1536, 0.3MP: 640x480, (3:2) 18MP: 5184x3456,(16:9) 15MP: 5120x2880, 2MP: 1920x1080 Movie 1920x1080: 30fps, 1280x720: 60fps / 30fps, 640x480: 30fps, High-Speed Movie 640x480: 120fps IMAGE COMPRESSION Best, Fine, Normal DCF, DPOF (Ver1.1) Support Yes FILE FORMAT Still Image Exif 2.3 (JPEG) Movie MOV [Image: Motion JPEG; Audio: Linear PCM (Monaural)] SHOOTING MODES Auto, P, S, A, M, Face Beautifier, Panorama, Movie, CS, SCN SCN MODES [ASCN, Landscape, Sport, Beach, Sunset, Fireworks, Night Landscape, Snow, Children, Portrait, Party, Night Portrait, Pet] DETECTION FEATURES Face, Smile, Blink, Cat, Dog PHOTO TOUCH-UP Red-Eye Removal, Skin Soften, Eye Brightening, Eye Enlargement LCD DISPLAY Display 3.0 inch (460K Pixels) Touch Panel No Angle Adjustment No ISO SENSITIVITY Auto, ISO 100/200/400/800/1600/3200 AF METHOD Single AF, Multi-AF (TTL 9-point), Object Tracking, Face Detection EXPOSURE METERING METHOD Artificial Intelligence AE (AiAE), Center-Weighted Average, Spot (Fixed to Center of Frame), Face AE EXPOSURE COMPENSATION ±3EV in 1/3 Step Increments SHUTTER SPEED 1/2000 - 30 Seconds PLAYBACK MODES Single, Index (9/16 Thumbnails), Slide Show, Date, Burst Shooting, Zoom (Approx. x2 ~ x8) WHITE BALANCE CONTROL Auto (AWB), Daylight, Cloudy, Fluorescent, Fluorescent CWF, Incandescent, Manual, Color Temperature Setting (1900K – 10000K) FLASH Flash Method Pop-up (Manual) Flash Modes

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Skip to main contentUnited States (English / $ USD)DJI Mavic 3 Pro is the first triple-camera drone in DJI's flagship Mavic 3 series.This article will take you through these upgrades and give you a side-by-side comparison to see how it matches up against the Mavic 3, and Mavic 3 Classic.Camera Spec ComparisonDJI Mavic 3 ProDJI Mavic 3DJI Mavic 3 Classic4/3 CMOS Hasselblad Camera1/1.3-inch CMOS Medium Tele Camera1/2-inch CMOS Tele Camera4/3 CMOS Hasselblad Camera1/2-inch CMOS Tele Camera4/3 CMOS Hasselblad CameraHasselblad Camera: 20 MPMedium Tele Camera: 48 MP / 12MPTele Camera: 12 MPHasselblad Camera: 20 MPTele Camera: 12 MP20 MPHasselblad Camera: Hasselblad Natural Colour Solution (HNCS)/D-Log/D-Log M/HLG/NormalMedium Tele Camera: D-Log M/HLG/NormalTele Camera: NormalHasselblad Camera: Hasselblad Natural Colour Solution (HNCS)/D-Log/D-Log M/HLG/NormalTele Camera: NormalHasselblad Natural Colour Solution (HNCS)/D-Log/D-Log M/HLG/NormalMavic 3 Pro, Mavic 3, and Mavic 3 Classic can shoot epic images thanks to the flagship's powerful camera performance. But there are still a little different.How are Mavic 3 series cameras different?Mavic 3 Classic has one 4/3 CMOS Hasselblad camera, which does not support the gimbal lock function. Mavic 3 has two cameras: in addition to a Hasselblad camera, it has a 162mm tele camera and supports a gimbal lock. Mavic 3 Pro has three cameras: in addition to a Hasselblad camera and an upgraded 166mm tele camera, it has a new 70mm tele camera, which can be used to capture subjects and their surroundings with more compression.Benefits of Mavic 3 Pro's triple-camera systemThe Mavic 3 Pro's three cameras all support 4K/60fps. The Hasselblad and 70mm cameras are both D-Log M. If you need different focal lengths and want to enhance your shots to capture richer angles and more storytelling, the Mavic 3 Pro will meet all your shooting needs.Although a new 70mm tele camera may seem minor, it significantly benefits photographers. When using this camera, creating cinematic footage becomes effortless.Compared to the wide-angle Hasselblad camera, the 70mm medium tele camera captures footage with more substantial spatial compression. As a result, it can better highlight the subject in complex environments and emphasize the subject's relationship with its surroundings. This lens creates a clear visual focus in both images and videos.While the 166mm tele camera has advantages, the medium tele camera is better suited for specific scenarios. It allows for new aerial photography perspectives and different camera movements without switching cameras mid-shoot. With just a tap of the screen, users can seamlessly switch between different focal. Ram Performs for Radio Tele Ginen's Birthday party

Tele-port : Tele-port.pro

SensorCMOS, 1/2.8"Effective Pixels: 2.13 MLens30x Optical ZoomF1.6 (Wide) - F4.7 (Tele)Zoom Movement Speed:- Optical Wide – Optical Tele: 4.6 sec - Optical Wide – Digital Tele: 6.4 sec - Digital Wide – Digital Tele : 1.8 secFocus Movement Time: ∞ - near: 1.1 secFOV63.7°(Wide) - 2.3°(Tele)Digital Zoom6xMin. Working Distance10 mm - 1200 mmPhoto Formats JPEGVideo FormatsMOV, MP4Working ModesCapture, Record, PlaybackStill Photography ModesSingle shot, Burst shooting: 3/5 frames, Interval (2/3/4/7/10/15/20/30 sec) Exposure ModeExposure Mode Auto, Manual, Shutter priority, Aperture priority Exposure Compensation±2.3 (1/3 increments)Metering Mode Center-weighted metering, Spot metering (Area option 12x8)AE LockSupported Electronic Shutter Speed 1/30 – 1/6000 s White Balance Auto, Sunny, Cloudy, Incandescent, Custom (2000K - 10000K)Video Captions Supported TapZoomSupportedTapZoom Range1-5DefogSupportedOne Key to 1x ImageSupportedAnti-flicker 50 Hz, 60 Hz PAL/NTSC SupportedSupported SD Cards MicroSD (SD / SDHC / SDXC) Max. Capacity: 64 GB, Class 10 or UHS-1 Supported File Systems FAT32 (≤ 32 GB) exFAT (> 32 GB) Intelligent auto / auto contrast adjust: Off) Maximum Gain The level can be set in the range of 0 to 11. Color/BW (ICR) Off/ On (IR Light Off)/ On (IR Light On)/ Auto1 (IR Light Off)/ Auto2 (IR Light On)/ Auto3 (SCC) IR LED Light High/ Middle/ Low/ Off, Maximum irradiation distance: 20 m {Approx. 65 ft} Digital Noise Reduction (DNR) The level can be set in the range of 0 to 255. Video Motion Detection (VMD) On / Off, 4 areas available Scene Change Detection On / Off, 1 area available Privacy Zone On / Off, Up to 8 zones available Image Rotation 0 ° (Off) / 90 ° / 180 ° (Upside-down) / 270 ° Camera Title (OSD) On / Off Up to 20 characters (alphanumeric characters, marks) Lens COMPONENT SPECIFICATION Focal Length 2.9 mm – 7.3 mm {1/8inches-9/32inches} Optical Zoom 2.5x (Motorized zoom / Motorized focus) Extra optical zoom 2.5x - 3.3x (when resolution is 1920x1080) Digital (Electronic) Zoom Choose from 3 levels of x1, x2, x4 Angular Field of View [16 : 9 mode] *[4:3 mode] is not supported.Horizontal : 44° (TELE) – 103° (WIDE), Vertical : 25° (TELE) – 57° (WIDE) Maximum Aperture Ratio 1 : 2.0 (WIDE) – 1 : 3.0(TELE) Focus Range 1 m {39-3/8 inches} – ∞ DORI COMPONENT SPECIFICATION Detect (25ppm / 8ppf) Wide: 40.7 m / 133.6 ft, Tele: 126.7 m / 415.8 ft Observe (62.5ppm / 19ppf) Wide: 16.3 m / 53.4 ft, Tele: 50.7 m / 166.3 ft Recognize (125ppm / 38ppf) Wide: 8.1 m / 26.7 ft, Tele: 25.3 m / 83.2 ft Identify (250ppm / 76ppf) Wide: 4.1 m / 13.4 ft, Tele: 12.7 m / 41.6 ft AdjustingAngle COMPONENT SPECIFICATION Ceiling Mounting Horizontal: ±180 ° (Adjust by horizontal (PAN) angle)Vertical : 0 ° to 100

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About Radio Tele BostonRadio Tele Boston is a local or relatively recent station, it might not have gained international recognition as of my last update. To get the most accurate and up-to-date information about Radio Tele Boston, I recommend checking the station’s official website or contacting them directly for the latest details on their programming, mission, and any other relevant information.More Information Radio Tele Boston, you can tune in from anywhere in the world and experience the rich tapestry of Haitian culture right at your fingertips. Our user-friendly online platform allows you to easily navigate through our diverse program offerings, ensuring that you never miss a beat. Whether you're seeking a dose of inspiration, a touch of nostalgia, or simply a moment of relaxation, we've got you covered. So, join us on this extraordinary audio adventure as we transport you to the enchanting world of Haiti. Let Radio Tele Boston be your trusted companion, providing you with the best in spoken programs and music that will leave you craving for more. Tune in today and let the vibrant spirit of Haiti fill your ears and your soul.

Tele Vue Optics: Tele Vue-85

The Fralin Vintage Hot Tele set is a superb choice for anyone seeking clarity and articulation in their Tele sound. The warm, clear lows paired with brilliant highs create an inspiring twang that is sure to delight. The Vintage Hot Tele set is designed to provide a clean and transparent tone that can cut through any mix, allowing you to hear the nuances in your playing. The pickups are all hand-wound to '50s specs by expert craftsmen, and the USA-made Alnico 5 magnets offer tonal balance and output, while the compensated bridge ensures even volume across all pickups. Fralin's "Sectioning" technique for hand-winding the pickups creates a unique and dynamic tone that sets the Vintage Hot Tele set apart from the others. The fiberboard bobbins are hand-built and the set is backed by a 10-year warranty on manufacturing defects. The neck pickup has a reading of 7.6K with a counter-clockwise coil direction, while the bridge pickup has a reading of 6.8K with a clockwise coil direction providing clean sound with lots of Fender sparkle and twang. The pickups use USA-made 42/43 plain enamel wire, and a recommended pot value of 250K and cap value of 0.02mfd delivers an era-authentic sound with modern output.. Ram Performs for Radio Tele Ginen's Birthday party Radio Tele Ginen. 2.5K. Radio Tele Ginen. 1.9K. Related Videos. LIVE. 6. GADE L JAN L YE 25 F vrier 2025. Radio Tele Ginen. 31m ago. 2:33. Responsab yo nan Parti

Radio Tele Lafwa - Radio Tele Lafwa

La noticia. Los precios del dólar, la temperatura, estadísticas, trayectorias profesionales, noticias en detalle, etc. son presentadas en los cuadros. Hasta ahí los cambios meramente formales del noticiero. Pero hay otras variaciones del estilo en Tele País, que le dan ese toque polémico y controvertido. Por ejemplo la Música Incidental que se adhiere a los reportajes. La tensión que se logra al poner música instrumental dramática genera mayor atención del público. Los titulares de Tele País también son presentados de una manera diferente. Un presentador al micrófono lee los encabezados, mientras una música crepitante resuena al fondo y se escogen las imágenes más impactantes que se disponga para conmover al público. Los titulares es una sección importantísima del Tele País, llegando a presentar un resumen de todo el informativo creando mayor interés por ver la nota completa. El clip de titulares dura alrededor de 3'30". Otro factor a ser analizado es el color de escenografía utilizado: el rojo intenso. El estilo de Tele País es considerado polémico por otros comunicadores sociales y en sus inicios (Marzo de 2001) fue catalogado como sensacionalista. Pero los ratings del Tele País dieron sus frutos desde un inicio. La red Unitel debe gran parte de su éxito al noticiero central que causó gran revuelo en el aletargado circuito de la televisión comercial boliviana. Muchos de los creadores, periodistas y presentadores originales del Tele País migraron hacia otras redes de TV, llevando consigo la fórmula del Tele País. El año 2001, la red Unitel asumió su primer reto periodístico. El entonces presidente Hugo Banzer Suárez fue diagnosticado con cáncer y se ausentó por cuestiones de salud a Washington DC, Estados Unidos. Unitel mandó a la periodista Karla Revollo a cubrir la noticia en ese país. Desde la clínica militar de Washington se mandaban despachos diarios a Bolivia y el país se enteraba de la declinación de la salud del presidente día a día. Todo el proceso de la enfermedad de Bánzer, su tratamiento en Washington, su retorno a Bolivia y su posterior muerte mantuvieron en vilo a Bolivia y Unitel cubrió la noticia extensamente. En 2002, la red Unitel cubrió otro evento trágico de gran magnitud: la inundación de la ciudad de La Paz el 19 de febrero de ese año. Mientras las otras redes continuaban con su programación normal, Unitel se dio a la tarea de mandar a todos los reporteros disponibles a las zonas donde se producía la tragedia. Los despachos telefónicos, mediante unidades móviles y reportajes en video mostraron la fragilidad de la ciudad y la muerte de cincuenta y nueve personas. La inclusión de despachos en vivo desde las zonas del desastre en el noticiero central le dieron la atención del público en general. En 2003, el amotinamiento de la policía nacional y el asalto por la multitud furibunda a las sedes de los partidos políticos del oficialismo fue cubierta por Unitel con el mismo desplazamiento ágil por toda la ciudad en busca de las imágenes de los eventos. Durante toda