Ssl bus compressor plugin

£1,582.50 £1,582.50 ex VATExports are VAT-free outside the EU or to VAT registered buyers within the EU.Delivery time is about 1-3 days. Solid State Logic SSL The Bus+ quantity Free shipping included!The Bus+ combines a feature-rich analogue SSL Bus Compressor with a powerful Dynamic EQ, all in a single 2U rack unit Description The Bus Compressor Legacy If there is a single piece of analogue processing equipment that is synonymous with SSL, it just has to be The SSL Bus Compressor. From the very first commercially released SSL 4000 B console in 1976 and through many generations of SSL consoles that have followed since, the Bus Compressor has always been the stalwart of the console centre section. In 1991, when SSL took its first steps into the analogue outboard world, the FX G384 saw the Bus Compressor put into rackmount form, meaning that studios without SSL consoles could use it. In 2002, the FX G384 received a face-lift, with a new silver front panel taking it into the X Logic era and this was followed by the multi-channel 5.1 version the following year. In 2007, the Bus Compressor became available as double-width module for the X-Rack series and in 2013, the Bus Compressor made it’s way into the ever-popular 500-series format. Even if you’ve never had chance to experience SSL Bus Compressor ‘in real life’, then you will have undoubtedly come across it in plug-in form, perhaps by using the SSL Native Bus Compressor 2. One thing is for sure, throughout the course of music production history, the Bus Compressor has always been the de facto choice for gluing a mix together. Creating The Ultimate For the past two and a half years we’ve been hard at work engineering The Bus+, on a mission to create the ultimate and most versatile incarnation of the Bus Compressor ever seen. The bedrock of the design remains faithful, as it always has done, to the original circuit and using this base as the starting point, we’ve built upon it, adding a number of unique colouration options. If you need it to be clean

1 ratingSSL 4000 G COMPRESSOR PLUGIN EXTENSION FOR PROTEUS AND NAM! (AU, VST3, AAX) The Glue compressor!The legend!It sounds just amazing!We made the most famous setting for master bus used by Dr. Dre and many other famous artists (Attack 30, Ratio 4, Release .1, around 4 db Reduction)WE CAME THIS CLOSE (0.0009) After many requests we made this plugin extension for NAM (Neural Amp Modeler Plugin (which is also free to download) and also for ProteusP.S. NAM has an update and it looks better and also sounds better also!!!!Check out the demo the revolutionary new software extension, SSL 40000 G COMPRESSOR PLUGIN EXTENSION FOR PROTEUS AND NAM! (AU, VST3, AAX) - the next level of non-linear impulse response making using AI machine learning.With SSL 40000 G COMPRESSOR PLUGIN EXTENSION FOR PROTEUS AND NAM! (AU, VST3, AAX) we captured the tube saturation, overdrive, and distortion characteristics of analog devices like a Tape recorder, Tube Amp, Mic Pre, Limiter, Compressor, and Guitar Pedals like never before. The ultimate solution for those seeking to capture the warmth and character of analog devices like tape recorders, tube amps, and guitar pedals in their digital audio recordings.This cutting-edge technology uses AI machine learning neural networks to create non-linear impulse responses that accurately replicate the sound of analog devices, which normal impulse responses cannot do.This technology goes beyond traditional impulse responses, providing a more realistic and dynamic sound that truly captures the essence of analog devices.You will only need to get the free plugin (NAM) that lets you use these AI machine learning non-linear impulse responses. Simply download the plugin (NAM) from: load the .nam files into the plugin to enjoy the next level of realistic vintage mic sound.The Plugin that you need to use these files are available for free in various formats including Windows 10/11 64-bit (VST3,), Mac 10.15 and up (AU, VST3)You will only need to get the free plugin (Proteus) that lets you use these AI machine learning non-linear impulse responses. Simply download the plugin (Proteus) from guitarml.com and load the .json files into the plugin to enjoy the next level of realistic compressor sound.The Plugin that you need to use these files are available for free in various formats including Windows 10/11 64-bit (VST3, AAX), Mac 10.11 and up (AU, VST3, AAX), and Linux (VST3, AAX).Don't settle for dull and lifeless Digital sound - get the SSL 40000 G COMPRESSOR PLUGIN EXTENSION FOR PROTEUS AND NAM! (AU, VST3, AAX) and experience the next level of non-linear impulse response making. Get it now at gumroad.com/pasttofuturereverbs

1U rack-mount version of the SSL G Series console master bus compressor utilizing SuperAnalogue design topology MFR# 729946X2 Product Description The SSL XLogic G-Series Stereo Compressor puts the iconic sound of the legendary SL 4000 G-Series console bus compressor right in your studio rack. The SSL XLogic G Series Stereo Compressor combines the classic SSL G Series center compressor design with next-generation SuperAnalogue technology for unparalleled audio performance. LEGENDARY DESIGNRevered for its punchy, open sound, The SL 4000 console and its legendary center section compressor have been used to mix countless hit records. Known as the ultimate mix bus compressor for its ability to seamlessly glue tracks together, the SSL bus compressor is still a favorite amongst top-tier audio engineers. The SSL XLogic G Series Stereo Compressor takes that classic sound to a whole new level with next-generation SuperAnalogue technology for improved depth and clarity. Dial in everything from massive, exciting drum sounds to thick, rich vocal tones and big, fat bass tracks. Of course, the SSL bus compressor still sounds great on the mix bus too!UPDATED CONTROLSThe SSL XLogic G Series Stereo Compressor utilizes the same iconic design as the original SL 4000 console, with a few new tweaks for added versatility.The attack controls now offer six positions for a wider range of options. Choose from 0.1 ms, .3 ms, 1 ms, 3 ms, 10 ms, and 30 ms. Similarly, the release settings now include 0.1 sec, 0.3 sec, 0.6 sec, 1.2 sec and the dynamic AUTO setting. Use the classic 2:1, 4:1 and 10:1 ratio settings to dial in everything from smooth, subtle compression to hyper-aggressive limiting. The original Auto Fade button can be used to smoothly fade out of a song for subtle outros.The SSL XLogic G Series Stereo Compressor also includes a dedicated Side-Chain Input button, enabling advanced compression techniques like side-chain compression or 80s-style gated-reverbs. Features:Legendary SSL G Series stereo bus compressorGain reduction meter as fitted to the classic SSL console rangeExternal side chain source selectAuto fade with rate control automatic linear fade in/out controlRemote connector for remote operation of the auto fade function More Information Condition New Tube or Solid State Solid State Channels Dual-Channel Chassis 19-inch Rack-Mount Rack Spaces 1U Digital I/O No Reviews No one has written a review yet. Be the first!

Sound of tubes to whatever you apply this compressor to.Vari mu compressors work much slower than the snappier compressors I covered earlier. These aren’t form taming peaks but rather to soften a less dynamic track, bus, or even the master bus and bring some color to it at the same time.When to Use a Vari Mu CompressorAs mentioned, variable mu compressors are slower, tube based compressors. They are best served when applied to more macro levels of your mix.As such, try using one as a finishing touch on say a drum bus, vocal bus, or even the master fader itself.While you’re sacrificing a little in the way of dynamics, you’re creating a more consistent, glued together sound in that track or bus (while giving it a bit of signature tube warmth).Best Vari Mu CompressorWaves PuigChild Compressor – The Fairchild 670 was the gold standard in its day and current Vari Mu compressors are STILL modeled after it. I typically reach for Waves’ PuigChild Compressor when I want some glue on my master bus. Sometimes I compare the results with the SSL G Master Buss Compressor and take the winner.Free Vari Mu CompressorKlanghelm MJUC Jr. – This is the free version of the senior version of this plugin. Offering less controls than its “older brother”, the simplicity of Jr.’s input and output makes it hard to mess up.Types of Audio CompressorsThere are generally four categories which most compressors fall into.These compressors vary in how quickly they compress the audio and how

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Glue compression is a distinct type of compressor which is most effectively used on busses, including the master bus. Let’s talk about what glue compression is, how it differs from a conventional compressor, and when and how to use it.First, what is glue compression and what makes it different from “regular” compressors?Like a lot of plugins, glue compressors are modeled after a piece of analog gear. In this case, virtual glue compressors are emulating Solid State Logic’s analog bus compressor which itself was a component as part of the greater SSL 4000 G-Series Console.The compressor was noted for its effective ability to create cohesion between the tracks on a bus or the entire mix, “gluing” them together, hence the name.A glue compressor differs from other compressors in that it utilizes a voltage control amplifier (VCA) to control and compress the signal.Unlike some other types of audio compressors, this type of compressor makes for a relatively clean and transparent compression, even when you’re feeding it a lot of signal.This makes them ideal both for taming peaks and smoothing out audio which is a bit too dynamic.As such, they’re workhorses and work especially well on busses, particularly when you want to add a little extra cohesion to your bus or overall mix on the master channel.Best Glue CompressorsThere are a number of solid options when you want a glue compressor.My personal go-to and arguably the standard amongst VSTs is the Waves SSL G-Master Buss Compressor.It perfectly emulates the aforementioned Solid State Logic hardware, even adding some of that analog color if that’s what you want via the “Analog” button. I like using this feature in particular on the master bus to give the entire mix some light saturation, unifying the sound beyond the compression itself.This glue compressor also has a number of presets from Grammy winning and nominated producers, helping you dial in the sound you want that much faster with some great starting points:All you need to do is set the threshold!That said, the plugin is easy to use and the controls are pretty straightforward and similar to those which you’ll find on a standard compressor (see my audio compressor settings chart for more information).Outside of Waves, there are plenty of good options. Most DAWs have serviceable stock glue compressors featured in their libraries nowadays.Ableton Live’s “Glue Compressor” is the most famous example of a stock glue compressor. While the interface looks different, you’ll notice the controls are pretty similar to those of Waves:Rather than giving you a slider like on a more conventional compressor, we’re locked into a static 2:1, 4:1, or 10:1 compressor ratio.We have static positions for the attack and release, as well (including an automatic on the release). You can add a little soft clipping to help maintain transient punch, but other than that it’s just about where you want to set your threshold.How to Use Glue CompressionLet’s dial up some settings for a couple instances when you might want to create a little extra cohesion in