Marina abramovic religion
Author: g | 2025-04-24
Ethics Religion; Health; Politics Society; Science Tech; Podcasts; Courtesy the Marina Abramovic Archives J The mystical stillness of Marina Abramovic in Sydney.
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- Source: CNN " data-fave-thumbnails="{"big": { "uri": " }, "small": { "uri": " } }" data-vr-video="false" data-show-html=" Amanpour " data-byline-html="" data-timestamp-html="" data-check-event-based-preview="" data-is-vertical-video-embed="false" data-network-id="" data-publish-date="2023-12-12T20:01:06Z" data-video-section="style" data-canonical-url=" data-branding-key="amanpour" data-video-slug="intv-amanpour-marina-abramovic-royal-academy" data-first-publish-slug="intv-amanpour-marina-abramovic-royal-academy" data-video-tags="art festivals and exhibitions,arts and entertainment,christiane amanpour,continents and regions,england,europe,london,marina abramovic,misc people,northern europe,serbia,southern europe,united kingdom,visual arts" data-breakpoints="{"video-resource--media-extra-large": 660}" data-display-video-cover="true" data-details="" data-freewheel-lede="true"> Marina Abramović on a life in art, love, and overcoming fear 17:35 - Source: CNN Marina Abramović on a life in art, love, and overcoming fear 17:35 Editor’s Note: See highlights from CNN Chief International Anchor Christiane Amanpour’s interview, which aired Tuesday on “Amanpour,” above. London, UK (CNN) — For an artist whose work focuses so heavily on mortality, Marina Abramović’s joie de vivre may come as something of a surprise. She appeared giddy as she roamed the main galleries at London’s Royal Academy of Arts, which is hosting a major retrospective of her five-decade career. Speaking to CNN’s Christiane Amanpour, the Serbian artist sometimes known as “the godmother of performance art” said she is “hilarious in real life.” “I’m honestly ready to (do) stand-up comedy,” she joked, explaining how her outlook was shaped by an embolism that nearly killed her earlier this year: “I need to laugh.” But a jovial disposition doesn’t stop Abramović from thinking about death “all the time,” she said while contemplating a video of herself in “Nude with Skeleton,” a 2002 performance in which she laid naked with a skeleton on top of her. The piece is one of four being reperformed live at the exhibition, which runs until January. “I just want to know how it feels,” she remarked peacefully, referring to the “transition” from life to death. Abramović, who has just turned 77, describes her body as her tool. She has tested it in almost every way possible in the name of art, enduring vast amounts of pain and once even losing consciousness during a performance. She told Amanpour her work is all about daring to do things that scare her and showing “you can overcome the fear of pain, the fear of dying, the fear of suffering.” Her creations also encourage — demand, even — viewers to engage with them, producing fleeting, liminal moments that erode the distinction between artist and audience. For a 1974 performance piece titled “Rhythm 0,” Abramović placed dozens of objects on a table in a gallery in Naples, Italy and instructed the audience to use them on her “as desired.” “(In) the first one or two hours nothing really happened,” she said. But it soon turned violent, with people ripping off her shirt, cutting her skin and even pointing a loaded gun at her neck. She realizes now that she could have been killed. “Imponderabilia,” first staged in 1977, is another exploration of the body and human relations. In its original iteration, Abramović and her then-lover Frank Uwe Laysiepen (the late German artist known as Ulay) faced each other naked in the doorway of a museum, requiring visitors to squeeze between them to enter. The work was. Ethics Religion; Health; Politics Society; Science Tech; Podcasts; Courtesy the Marina Abramovic Archives J The mystical stillness of Marina Abramovic in Sydney. Who are you, Marina Abramovic? It was a time marked by sacrifices to religion and communism. Her grandfather was an Archbishop of the Serbian Orthodox Church, who was murdered by the king Courtesy the Marina Abramovic Archives J The mystical stillness of Marina Abramovic in Sydney. Prudence Gibson, UNSW Sydney. About. Marina Abramovic is a 77 year old Serbian Performance Artist born on 30th November, 2025 in Belgrade, Serbia. Her zodiac sign is Sagittarius. Marina Abramovic is a member of the following lists: Golden Lion winners, 2025 births and American philanthropists. Contribute. Who is Marina Abramovic dating? Marina Abramovic boyfriend, husband list. Progams: James T. Demetrion Lecture: Marina Abramovic, Hirshhorn, Spring 2025. 2025 Abramovic, Marina and Klaus Biesenbach et. al. Marina Abramovic: The Artist is Present, New York: Museum of Modern Art Department of Publications, 2025. Becker, Carol, Kate Gilmore and Tehching. A Salute to Marina Abramovic, The Brooklyn Rail, April 2025. Religion; Science and technology. Astronomy and Cosmology; Chemistry; Abramovic, Marina () 643 words Abramović, Marina (2025– ) in A Dictionary of Modern and Contemporary Art (2) Length: 262 words View all related items in Oxford Reference Search for: 'Marina Abramović' in Oxford Reference These studies frequently explore the global geographies of artists’ interest in philosophy, science, and religion. Her dissertation and ongoing research on Marina Abramovic addresses the development of Abramovic’s transcultural performance aesthetic as a reflection of her spiritual life and global travels, the role of public participation Fuente de la imagen, Getty ImagesPie de foto, Aunque en su día se autodenominó "la abuela del performance", hoy Marina Abramovic prefiere decirse "la guerrera del performance".Autor, Leire VentasTítulo del autor, BBC News Mundo24 enero 2021"¿Has escuchado el discurso de Biden?", pregunta Marina Abramovic (Belgrado, 1946), ícono del arte contemporáneo y pionera del performance, al mediodía de Nueva York el día de la toma de posesión del nuevo presidente de Estados Unidos. "La luz del sol está volviendo a este país, después de haber estado sumido en la oscuridad por cuatro años". La artista que en los años 70 se plantó impasible frente a una audiencia que le cortó la ropa con tijeras, le clavó espinas en el estómago y le apuntó con una pistola cargada (Rhythm 0), recorrió en 1988 media Gran Muralla china para despedirse de su ya expareja, el también performer Ulay, o se sentó inmóvil y callada durante ocho hora ininterrumpidas en el atrio del MoMA (The Artist is Present) en 2021 está contenta.La mujer que hizo de su cuerpo una obra de artePuede, pues, que ya no necesite las zapatillas de casa que solía ponerse nada más levantarse de la cama "para empezar el día con una sonrisa". Fuck, se leía en la del pie izquierdo, negativity en la del derecho.— ¿Le funciona usarlas últimamente?Se ríe. "Ahora estoy usando otras, porque está haciendo frío". Acerca una de ellas a la cámara de la computadora. Son negras, de pelo sintético, con un beso bordado en rojo.Así comienza la entrevista por zoom con BBC Mundo, que tiene lugar con la excusa de su participación en el festival Santiago a Mil* de Chile, y durante la cual habla de cómo el fin de la pandemia traerá una explosión de contacto humano, de que "limpiar la casa" no tieneComments
- Source: CNN " data-fave-thumbnails="{"big": { "uri": " }, "small": { "uri": " } }" data-vr-video="false" data-show-html=" Amanpour " data-byline-html="" data-timestamp-html="" data-check-event-based-preview="" data-is-vertical-video-embed="false" data-network-id="" data-publish-date="2023-12-12T20:01:06Z" data-video-section="style" data-canonical-url=" data-branding-key="amanpour" data-video-slug="intv-amanpour-marina-abramovic-royal-academy" data-first-publish-slug="intv-amanpour-marina-abramovic-royal-academy" data-video-tags="art festivals and exhibitions,arts and entertainment,christiane amanpour,continents and regions,england,europe,london,marina abramovic,misc people,northern europe,serbia,southern europe,united kingdom,visual arts" data-breakpoints="{"video-resource--media-extra-large": 660}" data-display-video-cover="true" data-details="" data-freewheel-lede="true"> Marina Abramović on a life in art, love, and overcoming fear 17:35 - Source: CNN Marina Abramović on a life in art, love, and overcoming fear 17:35 Editor’s Note: See highlights from CNN Chief International Anchor Christiane Amanpour’s interview, which aired Tuesday on “Amanpour,” above. London, UK (CNN) — For an artist whose work focuses so heavily on mortality, Marina Abramović’s joie de vivre may come as something of a surprise. She appeared giddy as she roamed the main galleries at London’s Royal Academy of Arts, which is hosting a major retrospective of her five-decade career. Speaking to CNN’s Christiane Amanpour, the Serbian artist sometimes known as “the godmother of performance art” said she is “hilarious in real life.” “I’m honestly ready to (do) stand-up comedy,” she joked, explaining how her outlook was shaped by an embolism that nearly killed her earlier this year: “I need to laugh.” But a jovial disposition doesn’t stop Abramović from thinking about death “all the time,” she said while contemplating a video of herself in “Nude with Skeleton,” a 2002 performance in which she laid naked with a skeleton on top of her. The piece is one of four being reperformed live at the exhibition, which runs until January. “I just want to know how it feels,” she remarked peacefully, referring to the “transition” from life to death. Abramović, who has just turned 77, describes her body as her tool. She has tested it in almost every way possible in the name of art, enduring vast amounts of pain and once even losing consciousness during a performance. She told Amanpour her work is all about daring to do things that scare her and showing “you can overcome the fear of pain, the fear of dying, the fear of suffering.” Her creations also encourage — demand, even — viewers to engage with them, producing fleeting, liminal moments that erode the distinction between artist and audience. For a 1974 performance piece titled “Rhythm 0,” Abramović placed dozens of objects on a table in a gallery in Naples, Italy and instructed the audience to use them on her “as desired.” “(In) the first one or two hours nothing really happened,” she said. But it soon turned violent, with people ripping off her shirt, cutting her skin and even pointing a loaded gun at her neck. She realizes now that she could have been killed. “Imponderabilia,” first staged in 1977, is another exploration of the body and human relations. In its original iteration, Abramović and her then-lover Frank Uwe Laysiepen (the late German artist known as Ulay) faced each other naked in the doorway of a museum, requiring visitors to squeeze between them to enter. The work was
2025-04-17Fuente de la imagen, Getty ImagesPie de foto, Aunque en su día se autodenominó "la abuela del performance", hoy Marina Abramovic prefiere decirse "la guerrera del performance".Autor, Leire VentasTítulo del autor, BBC News Mundo24 enero 2021"¿Has escuchado el discurso de Biden?", pregunta Marina Abramovic (Belgrado, 1946), ícono del arte contemporáneo y pionera del performance, al mediodía de Nueva York el día de la toma de posesión del nuevo presidente de Estados Unidos. "La luz del sol está volviendo a este país, después de haber estado sumido en la oscuridad por cuatro años". La artista que en los años 70 se plantó impasible frente a una audiencia que le cortó la ropa con tijeras, le clavó espinas en el estómago y le apuntó con una pistola cargada (Rhythm 0), recorrió en 1988 media Gran Muralla china para despedirse de su ya expareja, el también performer Ulay, o se sentó inmóvil y callada durante ocho hora ininterrumpidas en el atrio del MoMA (The Artist is Present) en 2021 está contenta.La mujer que hizo de su cuerpo una obra de artePuede, pues, que ya no necesite las zapatillas de casa que solía ponerse nada más levantarse de la cama "para empezar el día con una sonrisa". Fuck, se leía en la del pie izquierdo, negativity en la del derecho.— ¿Le funciona usarlas últimamente?Se ríe. "Ahora estoy usando otras, porque está haciendo frío". Acerca una de ellas a la cámara de la computadora. Son negras, de pelo sintético, con un beso bordado en rojo.Así comienza la entrevista por zoom con BBC Mundo, que tiene lugar con la excusa de su participación en el festival Santiago a Mil* de Chile, y durante la cual habla de cómo el fin de la pandemia traerá una explosión de contacto humano, de que "limpiar la casa" no tiene
2025-04-08Los ojos". Aprendió la lección…A mis 30 años les había dado varias posibilidades, entre ellas una pistola cargada. Les di la oportunidad de ser agresivos. Ahora solo les ofrecía una silla, solo les permitía la mirada.Es interesante el hecho de que las dos piezas son complementarias, pero me tomó mucho tiempo llegar a esa conclusión: que fuera solo un diálogo de energía, sin objetos mediante.Fuente de la imagen, Getty ImagesPie de foto, Marina Abramovic recuerda que en los 70 fue "crucificada" por la crítica.Es lo que hizo luego en la galería Serpentine de Londres con 512 Hours, en 2014. Allí, por no haber, no había ni silla.No había absolutamente nada. A algunos visitantes los agarré de la mano y los puse mirando a una pared blanca. Pero fue poderoso.Ahora está planeado que vuelva a Londres, con una retrospectiva en la Royal Academy of Arts (RA) a inaugurarse en septiembre. Es la primera vez que este centro organiza algo así sobre una artista mujer.Sí, la primera vez en sus 250 años de historia. Sus espacios menores sí (han albergado exposiciones dedicada a mujeres artistas), de Tracey Emin por ejemplo. Pero el espacio principal ha sido solo para los tipos grandes.Fuente de la imagen, Indi FilmPie de foto, Marina Abramovic, en 2019, en una imagen de 'Body of Truth', © Indi FilmCuando empecé a estudiar en la academia de arte de Belgrado, éramos solo tres mujeres. Durante la primera lección, el viejo profesor se nos acercó, nos miró y nos dijo: "Si no tienes bolas, no puedes ser artista".Fui a casa llorando. No tengo bolas, soy mujer. Ahora creo que las mujeres sí pueden tener bolas, no físicas pero metafóricas. Durante siglos, ¿cuántas artistas magníficas habrá habido de las que no sabemos nada? Yo soy como un bulldozer, como un tanque. Quiero
2025-04-02