Cinematic studio solo strings

Of chords using Strezov’s Afflatus Strings, create another track using Cinematic Studio Solo Strings Full Ensemble patch and copy the midi data from the Afflatus track.This adds more detail to the strings. I do the same for lead strings as well. On big sections, I will also use Logic’s Sub Bass and place slightly into the mix, to give the low frequencies more depth.I would also say, get to know your virtual instruments. Connect with them. Play them and see how they make you feel. I find that in doing that, my choices are really narrowed down.Listen to your final mix through different references. Listen to your mix at a low level. Can you hear everything clearly? Does it still have the same impact?4. Which are you go-to string libraries as a composer, and why?I constantly use Strezov Sampling’s Afflatus Chapter One Strings, Cinematic Studio Strings, Cinematic Solo Strings, Cinematic Strings 2, Tina Guo Cello, Tina Guo Vol 2, Virharmonic’s Bohemian Violin and Cello, Spitfire Audio’s Chamber Strings Pro.I absolutely love the Afflatus Strings. The samples are recorded with such expressiveness and emotion that is like no other library. For string leads, Cinematic Studio Strings and Cinematic Solo Strings. If Afflatus had portamento patches, I am sure I would be using them.I love Virharmonic’s Bohemian Violin. I really feel like I am playing a violin when recording and to me it sounds the most convincingly real, but that is just my opinion. Ironically, I have LA Scoring Strings and their Sordino Strings, I love the way their demos sound, but I never use them. I would spend too much time tweaking the sounds.5. Let’s say you decide to start a new orchestral composition. What is your process from the very start?That’s a good question. When I begin, I always ask

Strings Strings Solo Strings legacy cinematic strings 2 (CS2)BrassWoodwindsPianopercussion Menu 25% off – Black Friday Sale 2024 25 Nov–5 Dec Offer cannot be combined with any other offer or discount. CINEMATIC STUDIO WOODWINDS A powerful wind instrument sample library for Kontakt Player Cinematic Studio Woodwinds is a superbly versatile library that will add a new and important dimension to your musical palette. With the gorgeous sound and stunning realism of these instruments you’ll find yourself wanting to feature woodwinds in your musical creations in new and exciting ways. Boasting the same intuitive and efficient GUI as the strings and brass, CSW is designed to perfectly complement the rest of the Cinematic Studio Series. This outstanding orchestral wind instrument library is available now for Kontakt and Kontakt Player. Northern Lights Alex Wallbank 3:10 From the Ashes Alex Wallbank 2:19 Mountain Pass Alex Wallbank 2:23 Kaleidescope Alex Wallbank 1:59 First Rays Alex Wallbank 1:27 Twilight Hollow Jack Midworth 2:22 Carmen Suite - Intermezzo Bizet, mock-up by Arnaud Derhan 2:28 Midsummer Night's Dream - Scherzo Mendelssohn, mock-up by Arnaud Derhan 4:19 NEW! Cinematic Studio WOODWINDs Cinematic Studio Woodwinds is the latest addition to the Cinematic Studio Series collection. Whether you want to blow the roof off with the bright penetrating sound of the piccolo, express emotion with the beautiful lyrical oboe, or vibrate the floor with the deep and powerful bass clarinet, these superb instruments bring warmth and vitality to your orchestral template. They perfectly complement the rest of the series: the Strings, Solo Strings, Brass and Piano. Intuitive, easy-to-use interface At the heart of Cinematic Studio Woodwinds is its intuitive and efficient GUI. This means one patch per instrument, easily assignable keyswitches and MIDI CCs, and a full mixer with output routing options plus reverb. To save memory, articulations can be loaded in or out of RAM with a couple of clicks. As the layout is functionally the same as for Cinematic Studio Strings and Brass, these features and many others are all accessible via the main GUI page. Broad Palette — Soloists and Sections To record Cinematic Studio Woodwinds we used a marvellous selection of top-tier players to capture the full range and character of each of nine solo instruments and four sections. Whether you want the fine detail of a soloist, or the warm collaborative synergy of our two-player sections, we recorded the full dynamic range to harness both nuance and power. Every instrument was treated equally, including the piccolo, cor anglais, alto flute, bass clarinet and contrabassoon. Versatility and realism CSW features a range of articulations including playful short notes, expansive textures with flutter-tongue and trills, and a stunningly realistic legato engine. We spent countless hours recording true long-form

Cinematic Studio’s eagerly anticipated Woodwinds library does not disappoint.The Cinematic Studio Series libraries have earned a prominent place in many composers’ setups, with an enviable reputation for consistency, sound quality, ease of use and some of the best legato scripting on the planet. Consequently, anticipation of this woodwind library has been almost unbearable since its development was announced over two years ago. CSW features a complement of nine solo instruments and four two‑player sections (sometimes referred to as ‘a2’). Notwithstanding one or two omissions such as bass flute and Eb clarinet, all the woodwinds you’d expect to find in any self‑respecting orchestra are present.InstallationAt a substantial 105GB in size, CSW is not a trivial download, especially for those with a slow Internet connection. Downloading is done using the dedicated Cinematic Series Installer app; the good news is that the app downloads and installs the library directly to where you want it, rather than downloading a ZIP or RAR file that needs to be extracted afterwards, which would double the amount of disk space required until the ZIP/RAR could be deleted after installation. Despite my allegedly high‑speed connection, I managed no faster than 2.5Mb/sec, which took 11 hours to complete! The library runs in the full version of Kontakt 5.8.1 and above and is authorised using NI’s Native Access app.A Familiar FaceWhen the Staccato articulation is active, four lengths of shorts are revealed that can be selected using CC1. Keyswitch velocity will also determine which of the four shorts is chosen.The interface will be instantly familiar to anyone acquainted with Cinematic Studio Strings (CSS), Cinematic Studio Brass (CSB) or Cinematic Studio Solo Strings (CSSS); for them no further explanation is necessary, and newcomers to CS products will learn it in minutes. Articulations are selected by keyswitches, or by clicking on the