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2025-04-04To Sync the clips in the Timeline – that is, to arrange them in the correct order so that the action they contain matches, or create a multiclip.In this case, I want to create a multiclip to edit all three angles simultaneously, so I click Multiclip.Here’s where the magic starts. PluralEyes listens to the audio in each clip and syncs the clips by aligning the audio. Once the clips are in sync, it creates a multiclip and loads it into the Browser.Important note: In order for this to work, you must record audio on every camera; even it is only using the camera mike.Ta-DAH!Note: This is a great technique to use for working with DSLR cameras, which are notorious for their poor sound quality. Record audio on the DSLR using the camera mike, and record good audio on your external audio gear. Load both files into Final Cut and sync using PluralEyes. No need for matching timecode or worrying that your DSLR audio sounds awful.TECHNIQUE #2 – AN IMPOSSIBLE SITUATION Here we have what can most charitably be called a complete mess. One camera recorded the entire song. The other two cameras were recording snatches of the piece, with constant stops and starts. No matching timecode, in fact, a total break in timecode.Sigh… When I was very young, I once shot something like this. It took years for my crew to stop teasing me about it. Because even if editing is possible, it takes forever to match up all the clips to the music.Open the PluralEyes application. In this case, we want to sync the clips to the Timeline. (Because there are breaks in timecode, creating a multiclip is not possible.) However, let’s give the application some help – click the Change button.The Change button allows us to tell it that all clips are in chronological order — a reasonable assumption, since we are shooting a performance. And by checking Level Audio, we are telling the application to adjust audio levels during its analysis so it can hear the audio better. This does NOT affect the final audio in the
2025-04-18Mode Premiere Pro lets you organize and select the angles to view in the Source Monitor's multi-camera mode. From the Source monitor's pop-up menu, select Edit Cameras. In the Edit Cameras dialog box, all the clips are listed in the original order that they were arranged in the sequence tracks. You can drag-and-drop the clips to change the sequence order. You can also enable or disable the clips by selecting or deselecting them. You can organize and select cameras in multicam view across multiple pages. You can set the number of camera sources per page and navigate between pages as needed. You cannot drag-and-drop cameras to different pages or within a single page. However, you can use the Edit Cameras dialog box to change the order of cameras in a multicam sequence and the pages reorders accordingly. Edit Cameras dialog box for a multi-camera sequence In the Program Monitor, you can browse through the multi-cam pages using the controls that are highlighted in the following image. Program Monitor for a multi-camera sequence Import Multiclip sequences from Final Cut Pro You can export a Multiclip project from Final Cut Pro, and import the Final Cut Pro project XML files into Premiere Pro. In Premiere Pro, the Multiclips sequences appear as multi-camera sequences with all the Final Cut Pro project settings intact. For more information about importing from Final Cut Pro, see Importing XML project files from Final Cut Pro 7 and Final Cut Pro X. Dapatkan bantuan lebih cepat dan lebih mudah
2025-04-23