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Abstraction and the classical ideal, Art, Abstract, Classicism Publisher Newark : University of Delaware Press DOWNLOAD OPTIONS

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It is titled "Honor Patria."CategoryVintage 1970s European Figurative SculpturesGreek Spartan Foot in Plaster, 20th Century.Located in Saint-Ouen, FRGreek spartan foot in plaster, 20th century.Sculpture of the foot of a Greek spartan in plasterCategory20th Century French Classical Greek Figurative SculpturesVintage Cast Bronze Green Marble Spartan Helmet Paperweight Bookend 4.5Vintage paperweight or book end featuring a bronze metal Greek / Corinthian / Spartan helmetCategoryLate 20th Century Classical Greek Mounted ObjectsItalian Sculpture "Spartan" 20th CenturyItalian sculpture "Spartan"20th CenturySynthetic material resinMeasures: 55cm x 40cm x 10cmCategory20th Century Italian Modern Figurative SculpturesBronze Spartan Corinthian HelmetBronze Spartan Corinthian helmet mounted on brass and marble museum stand, 20th century.Category20th Century Figurative SculpturesSpartan Archer Warrior Sculpture in Spelter, Spartiate by Max Le Verrier“Spartiate”Original “Max Le Verrier”Art Deco Style, FranceSculpture made in “RéguleCategory21st Century and Contemporary French Art Deco Figurative SculpturesSpartan Archer Warrior Sculpture in Spelter, Spartiate by Max Le Verrier “Max Le Verrier” (1891-1973) Art Deco Style, France Sculpture made in “Régule” (spelter)SocleCategory21st Century and Contemporary French Art Deco Figurative SculpturesEdouard Pastor (1932-2007): Bronze of a Greek Spartan warrior helmet Frequentative was in fact marked by a velar in Middle Gallifreyan and the eternal by a uvular, which all become glottals in Classical Gallifreyan.The eternal, as implied by the name, is basically used as a present aorist, meaning that the entity described by the noun trascends time; it is therefore often used for abstract ideas.Second transfix[]In nouns, the second transfix marks case. Classical Gallifreyan marks 13 cases, and those are the only way to mark syntactic relationships between words as no prepositions, adverbs or applicatives exist (Classical Gallifreyan strictly employs only three parts of speech: nouns, verbs and the emotioner).The cases are:Nominative: marks the subject, or the ergative argument when the verb is in the eternal tense (split ergativity).Accusative: marks the object, or the absolutive argument when the verb is in the eternal tense.Dative: marks the indirect object, that is, whoever is second-hand affected by the action though not strictly being the object; it is also often used to mark motion towards a place, meaning that the dative overall overlaps with the English preposition "to".Benefactive: substitutes the dative to imply that some receives a benefit (or even in a negative sense, damage) from the action.Modal: usually used with abstract nouns to signify the manner an action is executed ("with care", "with attention", "with joy"...).Causal: marks the causative argument, usually introduced in English by "because of" (so an entity that ultimately causes the action through the subject, either by forcing or edging it into executing it).Ablative: marks the motion from a

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At the Yale–Classical Archives Corpus (c. 2015)." Empirical Musicology Review 11, no. 1 (July 8, 2016): 59. Full text Abstract: This paper responds to the article by Christopher White and Ian Quinn, in which these authors introduce the Yale-Classical Archives Corpus (YCAC). I begin by making some general observations about the corpus, especially with regard to ramifications of the keyboard-performance origins of many pieces in the original MIDI collection. I then assess the accuracy of the scale-degree and local-key fields in the database, which were generated by the Bellman-Budge key-finding algorithm. I point out that some of the inaccuracies from the key-finding algorithm's output may influence the results we obtain from statistical studies of this corpus. I also offer an alternative analysis to the authors' finding that the ratio of V7 to V chords increases over time in common-practice music. Specifically, I conjecture that this finding may be the result of (or related to) increasing instrumental resources over time. I close with some recommendations for future versions of the corpus, such as enabling end users to help repair transcription errors as well as offer ground truths for harmonic analyses and key area information. APA, Harvard, Vancouver, ISO, and other styles 21 Haraway, Donna J. "The Virtual Speculum in the New World Order." Feminist Review 55, no. 1 (March 1997): 22–72. Full text Abstract: Beginning by reading a 1992 feminist appropriation of Michelangelo's Creation of Adam – in a cartoon in which the finger of a nude Adamic woman touches a computer keyboard, while the god-like VDT screen shows a disembodied fetus – ‘Virtual Speculum’ argues for a broader conception of ‘new reproductive technologies’ in order to foreground justice and freedom projects for differently situated women in the New World Order. Broadly conceptualized reproductive practices must be central to social theory in general, and to technoscience studies in particular. Tying together the politics of self help and women's health movements in the United States in the 1970s with positions on reproductive freedom articulated within the Legal Defense and Educational Fund of the NAACP in the 1990s, the paper examines recent work in feminist science studies in several disciplinary and activist locations. Statistical analysis and ethnography emerge as critical feminist technologies for producing convincing representations of the reproduction of inequality. Untangling the semiotic and political–economic dialectics of invisibility and hypervisibility, ‘Virtual Speculum’ concludes by linking the well-surveyed amniotic fluid of on-screen fetuses and the off-frame diarrhea of uncounted and underfed infants in regimes of flexible accumulation and structural adjustment. APA, Harvard, Vancouver, ISO, and other styles 22 KASHEFI, OMID, MOHSEN SHARIFI, and BEHROOZ MINAIE. "A novel string distance metric for ranking Persian respelling suggestions." Natural Language Engineering 19, no. 2 (July 24,